Friday, April 27, 2012
Brighton Beach Memoirs - Civic Theater
I've seen this movie, the one from the late 80's/90's a few times. It's a new school american classic. But i've never seen the stage play. Set in the late 1930's, it seemed to be a long time ago, like things were different. Trade the plasma tv/ xbox for a radio but actually not much else.
Then and now, siblings have complicated relationships. In tough times parents have to work many jobs. There is worry about war and peace in the world. Everyone has a drunk uncle and an odd neighbor. And all a nearly-15-year-old boy really wants to do is to see a girl naked.
The boy, also wants to be a writer, is really smart, quick witted, and really can be a pain in the ass. The play is seen through his writing from his "memoirs". It's reality television before it's time, showing all of the family's business through first person narrative.
The set was convincing and looked really sparse with the various time specific props.
It's packed neatly into a realistic house on the theater stage.
Throughout it becomes clear that everyone has some growing up to do around the interactions and the politics behind them in the family.
God of Carnage - Famers Alley Theatre
God of Carnage seems really to be about whether adults and children are really that different.
One kid whacks another in the face with a stick, knocking out a couple of teeth. The parents decide to meet and from the beginning, there’s the awkward conflict of the obvious differences in parenting styles. Things quickly spiral out of control. The characters align and then realign with one another as parts of their stories unfold. The audience is given glimpses of why the characters are who they are. I all of the carnage they bring upon each other, it seems that there may not be much of a difference between roving gangs of kids or homes stocked with high end espresso and imported rum. To insult and question how a person raises their kids is asking for strong responses. The script is tight and the run time felt short. The cast is very strong and they committed fully, making this an explosive passionate production.The vomiting scene was way too believable; 'Veronica' was well played as an arrogant snob; the set design was hip/cosmopolitan and haunting. Go see it!!
In the end I walked away thinking... those people were miserable. They think their intentions are good and are to be rewarded for wanting the 'right' and 'civil' process to work things out... as an example for the children. Epic fail.
One kid whacks another in the face with a stick, knocking out a couple of teeth. The parents decide to meet and from the beginning, there’s the awkward conflict of the obvious differences in parenting styles. Things quickly spiral out of control. The characters align and then realign with one another as parts of their stories unfold. The audience is given glimpses of why the characters are who they are. I all of the carnage they bring upon each other, it seems that there may not be much of a difference between roving gangs of kids or homes stocked with high end espresso and imported rum. To insult and question how a person raises their kids is asking for strong responses. The script is tight and the run time felt short. The cast is very strong and they committed fully, making this an explosive passionate production.The vomiting scene was way too believable; 'Veronica' was well played as an arrogant snob; the set design was hip/cosmopolitan and haunting. Go see it!!
In the end I walked away thinking... those people were miserable. They think their intentions are good and are to be rewarded for wanting the 'right' and 'civil' process to work things out... as an example for the children. Epic fail.
Thursday, April 26, 2012
Let Slip the Dogs of Community Theatre
Adam Command
So, as I was begining to write yesterday about my last play, I decided to stop and wait becasue See How They Run is a very confusing, fast comedy that is extremely entertaining and funny but relies heavily on physical effects; therefore, it is hard to blog coherantly about. I decided instead, bieng in Grand Rapids, to go see the Circle Theatre's production of Julius Caesar. It is part of a string of 6 plays by the Bard. Although this is merely the second string of productions in community theatre, next to the actors studio, the acting was better than I expected. In fact, Michael Rissier's performance as Marc Antony was down-right brilliant. This was the second time I have seen this play(last time 8 years) and if there is one area that needs to be really good, it would be the acting. The play relies on gigantic monologues and fierce confrontations and is the most political play Shakespeare has written, in my mind. J.C. is hard to produce because the members of the audience who are not extreme Shakespeare fans are in danger of falling asleep if the long monologues are not passionate. Good thing for this production, it was very passionate. There was so much enthusiasm by the cast and along with Rissier, Hales and Forrester who play Cassius and Brutus were fantastic in their deliveries. Brian Spaulding, who played Caesar was not great but he is only a part for less than half the play. The staging was modest and did not charm the audience with the traditional tricks of staging a Shakespeare play, no doubt because of the budget. But the diction and clarity the Circle Theatre provides suits the structure od J.C. There are two huge speaches and they bring the croud into it. When Antony comes out to speak to his people after Caesar is murdered was awesome. He used the audience and he was really trying to convince us and pumped us up in different ways, including screams and "heys"! "Here lies Caesar, when such comes another!" Honestly, I am a pretty descent judge of the Bard's work, especially on the lower level of community theatre, and I can say this was one of the best performed play I have seen. The back-stabbing, metaphorical and literal was so intriguing and the play moved with a lightning pace, never allowing a dull moment. The actaul murder of Caesar was cool as the senators cirlced him, plotting with each other and trying to manipulate the crowd, again, which we participated in. It was just flat out fun. The political agendas and struggles for power in J.C. was interesting. There are many twists and turns. For instance, Brutus does not original want to go along with the killing of Caesar but goes along with it for the sake of Rome, so he says. But really, he is after power just like anyone else. He and Cassius consistantly get out-smarted by Antony, starting with the debate about the death of Caesar where Antotny sways the crowd (us) back to belief that Caesar was a great man. It was cool how we made the decisions. All and all, I am glad I got a chance to watch Julius Caesar because it had a nice irony to it, especially during election season. All this talk about Romney and Obama lately, it seemed appropriate to put this play on. I had fun! Directed by Andy Vankampen
So, as I was begining to write yesterday about my last play, I decided to stop and wait becasue See How They Run is a very confusing, fast comedy that is extremely entertaining and funny but relies heavily on physical effects; therefore, it is hard to blog coherantly about. I decided instead, bieng in Grand Rapids, to go see the Circle Theatre's production of Julius Caesar. It is part of a string of 6 plays by the Bard. Although this is merely the second string of productions in community theatre, next to the actors studio, the acting was better than I expected. In fact, Michael Rissier's performance as Marc Antony was down-right brilliant. This was the second time I have seen this play(last time 8 years) and if there is one area that needs to be really good, it would be the acting. The play relies on gigantic monologues and fierce confrontations and is the most political play Shakespeare has written, in my mind. J.C. is hard to produce because the members of the audience who are not extreme Shakespeare fans are in danger of falling asleep if the long monologues are not passionate. Good thing for this production, it was very passionate. There was so much enthusiasm by the cast and along with Rissier, Hales and Forrester who play Cassius and Brutus were fantastic in their deliveries. Brian Spaulding, who played Caesar was not great but he is only a part for less than half the play. The staging was modest and did not charm the audience with the traditional tricks of staging a Shakespeare play, no doubt because of the budget. But the diction and clarity the Circle Theatre provides suits the structure od J.C. There are two huge speaches and they bring the croud into it. When Antony comes out to speak to his people after Caesar is murdered was awesome. He used the audience and he was really trying to convince us and pumped us up in different ways, including screams and "heys"! "Here lies Caesar, when such comes another!" Honestly, I am a pretty descent judge of the Bard's work, especially on the lower level of community theatre, and I can say this was one of the best performed play I have seen. The back-stabbing, metaphorical and literal was so intriguing and the play moved with a lightning pace, never allowing a dull moment. The actaul murder of Caesar was cool as the senators cirlced him, plotting with each other and trying to manipulate the crowd, again, which we participated in. It was just flat out fun. The political agendas and struggles for power in J.C. was interesting. There are many twists and turns. For instance, Brutus does not original want to go along with the killing of Caesar but goes along with it for the sake of Rome, so he says. But really, he is after power just like anyone else. He and Cassius consistantly get out-smarted by Antony, starting with the debate about the death of Caesar where Antotny sways the crowd (us) back to belief that Caesar was a great man. It was cool how we made the decisions. All and all, I am glad I got a chance to watch Julius Caesar because it had a nice irony to it, especially during election season. All this talk about Romney and Obama lately, it seemed appropriate to put this play on. I had fun! Directed by Andy Vankampen
Wednesday, April 11, 2012
Wizards of Facebook
Fancy Pants Theatre is doing a production of a new play by local playwright, John Thierwechter, called The Wizards of Facebook.
Where: Fancy Pants Theatre, 246 Kalamazoo Mall
When: April 11, 12, 13, 14 8pm and April 15 3pm
$$$: $10
Follow the yellow bus line with Dot and Frank while they quest after the witch Linda's email address for the Wizard of Facebook. Together with their three new friends, they will repair to Wizard in hopes of restoring Dot's Facebook, getting naked stuff for Frank and something about brains, heart & courage.---From The Wizards of Facebook's Facebook Event PageWhat:The Wizards of Facebook
Where: Fancy Pants Theatre, 246 Kalamazoo Mall
When: April 11, 12, 13, 14 8pm and April 15 3pm
$$$: $10
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